Ask The Lawyer

Music Industry Glossary

  • A&R
    :
    The A&R (Artists and Repertoire) rep is the eyes and ears of the record label. This is the person that you want to please at the label, because he usually decides who is signed to the label and who is not. Reality – The A&R person is sometimes involved in producer-like activities such as choosing songs and sequencing of the record.

About the Author

  • Scott Hervey
    Scott is the author of The Entertainment Law Blog and a partner the Northern California firm Weintraub Genshlea Chediak Sproul.

Biz Bites - August 25, 2005

BBC News:  A group of Hollywood writers have filed suit against Fox TV network and Rocket Science Laboratories, the producer of a variety of reality TV shows including Joe Millionaire, accusing both parties of violating California's wage and hour laws.

Superstars, don't be mean to the maid!  The New York Daily News reports that a maid to the stars has admitted she stole diamonds and clothes from clients Candice Bergen and Robert De Niro's wife – but only because they were "mean" to her.

The AP reports that Missing LA Producer Called Friend   A Grammy-nominated music producer who has been missing since Sunday called a friend that day on his cell phone to say he was being chased by people with dogs, authorities said. Deputy Luis Castro, a sheriff's spokesman, declined to comment on reports that Irwin was caught up in an Internet scam run by Nigerians. His sister, Sharon Riolo, has said he got scared when he received a check for $50,000 in the mail from the group. 

The AP reports that the broadcast indecency bill that passed in the house (H.R. 310) is now stuck in the Senate.

E! Online reports that a lawsuit has found producers of Lost.   Alleging fraud and breach of contract, Hollywood writer Anthony Spinner is suing ABC and producers of the Emmy-nominated Lost.   Spinner claims he was hired by the producers of Land of the Lost to develop an idea for an ABC series to be called Lost, about stranded plane crash survivors who encounter "strange creatures" and "dangerous characters."

 

The Grokster Decision - What Does It Really Mean

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On June 27, 2005, the United States Supreme Court handed down its decision in MGM v. Grokster.  That case involved an appeal from the Ninth Circuit by MGM, various record labels and other content owners of an adverse decision in their attempt to hold Grokster and other peer-to-peer network companies liable for copyright infringement.  MGM and the other content owners had initially filed a lawsuit against Grokster and other peer-to-peer network technology companies to hold them liable for damages resulting from their supplying the technology that enabled users to trade online copyrighted works.  The Ninth Circuit, upholding the District Court’s finding, held that the technology companies could not be held either vicariously liable or liable for contributory copyright infringement.  In coming to its conclusion, the Ninth Circuit interpreted the Sony v. Betamax case in holding that the distribution of a commercial product capable of substantial noninfringing uses could not give rise to contributory liability for infringement unless the distributor had actual knowledge of specific instances of infringement and failed to act on that knowledge.  Because the Ninth Circuit found the technology company’s software to be capable of substantial noninfringing uses and because respondents had no actual knowledge of infringement resulting from the software’s decentralized architecture, the court held that they were not liable.  (The architecture of the defendant’s file trading network is an open network.  That is, it does not have a central server like the old Napster network but rather uses nodes and supernodes; computer systems that are owned by users of the software and have no relationship to the defendants.)  The Ninth Circuit also held that the defendants did not materially contribute to their user’s infringement because the users themselves searched for, retrieved and stored the infringing files, with no involvement by respondents beyond providing the software in the first place.  Finally, the court held that the defendants could not be held liable under a vicarious infringement theory because the defendants did not monitor or control the software use and had no agreed upon right or current ability to supervise its use and had no independent duty to police infringement

 

The Supreme Court stated that the Ninth Circuit read the Sony case too broadly.  Instead, the Supreme Court stated that the test for contributory or vicarious liability revolves around the intent of the defendant, namely did the defendant distribute its device with the object of promoting the devices used to infringe the copyrighted works of third parties, as shown by clear expression on other affirmative steps taken to foster infringement.  If the defendant goes beyond mere distribution with the knowledge of third party action, the distributor is liable for the resulting acts of an infringement by third parties using the devices, regardless of the devices lawful uses.

 

What will this decision really do in the way of advancing the entertainment industry’s fight against illegal file trading, and how does this affect the growth of new technology?  Numerous pundits claim to have the answer.  However, human nature being what it is, I fail to see how anyone can predict the long term ratifications of this decision.  As a practical matter I believe that if a company creates a product with the primary intent that it be used for an illegal purpose, the company should be held liable.  If Grokster and the other defendants built a business model that depended on and encouraged users to engage in illegal file trading, then they should be held liable. 

 

Representing record labels, television production companies, and other content owners, I understand how piracy affects their bottom line.  However, if illegal activity is an incidental byproduct to an otherwise productive and beneficial technology that is a cost of societal advancement that content owners have to bear. 

 

The problem with the Grokster decision is how does one establish a company’s principal intent?  Unfortunately, unless the Company makes an express statement the only way is through litigation.  While I don’t think that the Grokster decision is death knell for new technology as some pundits declare, I do see how, as a result of this decision litigation can be used to slow or quash the growth of new technology.  This is a real possibility; especially when we are dealing with the entertainment industry.  I have found that some entertainment industry companies are reluctant to venture outside of their known safety zone.  They’re reticent to try new things that challenge or disrupt their existing business model.  From a business perspective, I can understand this.  Nobody likes to have their bottom line affected.  However, technological growth depends on innovative people pushing boundaries.  I would hate to see the Grokster decision slow technological advances that can, in the long run, be beneficial to all of us.

 

 

 

 

Biz Bites - 7/8/05

Billboard PostPlay  The sales of recorded music are down almost 7% from the midway point last year. However, paid downloads are up by 104 million units. 

BBC News  The BPI - which represents more than 300 UK record labels joins AOL, Apple iTunes, MusicNet, Napster, RealNetworks, Sony Connect and Yahoo! are challenging the royalty rate set by the Mechanical Copyright Protection Society (MCPS) and the Performing Right Society (PRS) for online music.  The MCPS-PRS Alliance - who set and collect royalties on behalf of composers, songwriters and publishers - are proposing a tariff of 12% of gross retail revenues on most online music. Currently, royalties on CDs stand at 6.5% of retail price, while broadcast radio rates are up to 5.25% of net advertising revenues.

BPI general counsel Geoff Taylor said: "The license that the Alliance is trying to impose for online music is unreasonable and unsustainable. It is charging a royalty rate on a download that is double the rate it charges for a song on a CD."

Yahoo / AP  Reality TV Producers and the networks that air reality programming are under fire from a number of Hollywood writers who have filed a lawsuit accusing the producers of violating California's labor laws.   The suit, which is seeking certification as a class action, is designed to increase the pressure on producers to agree to an industry wide contract with those who "write" the supposedly unscripted shows.

P2P Service May Be Liable

The United States Supreme Court held on Monday that Internet file-sharing services will be liable for copyrigth infringement if they intend for their customers to use their software primarily to engage in illegal downloading.

Read the full opinion here:  Download grokst1.pdf

Biz Bites

Yahoo: On-line music services have taken a big bite (or is it byte) out of the use of illegal file trading services.  According to a new survey released Monday by Entertainment Media Research, approximately 35% of music consumers now download tracks legally via the Internet.  That number is projected to soon pass the 40% mark.   The report cited fear of prosecution, Internet viruses, and inferior quality were cited as the main deterrents against illegal downloading.

Numbers On "I Want To Be A Hilton"

The numbers on the premier episode of the new NBC reality program I Want To Be A Hilton, executive produced by our client Bischoff / Hervey Entertainment, are as follows:

  • Overall a 6.0 with a 10 share
  • 2.5/7 from 9 to 930 (18 to 49)
  • 2.5/7 from 930 to 10 (18 to )
  • Topline overall is good, Bottom line in key demo.  Timeslot competition was tough, as NBA playoffs and AFI special took most of the viewership. 

Premier of I Want To Be A Hilton

Hilton2_3I usually don't pump TV shows, but when it comes to my client's projects I am a huge cheerleader.  So, with that said, be sure to watch "I Want To Be A Hilton" tonight on NBC.

Biz Bites - 6/13

Billboard Post PlayThe Swedish Parliament  passed a law, effective July 1, 2005, making it illegal to download copyright material without permission of the copyright holder.  (Prior to the passage of this law, only uploading was illegal.)  The law also bans  P2P file-sharing programs, including Kazaa and E-Donkey. 

CNET: 125 independent record labels form American Association of Independent Music.  Leadership of this organization states focus is partly to give independent labels the power their collective market share deserves as the music business is transformed by digital distribution.

Branded Entertainment News: Reporting on an article in the Hollywood Reporter, Branded Entertainment News notes the success of product placement advertisement in the second season of The Apprentice.  Although the tie-in's ran at $1 to $4 million a pop, the brands reported astonishing marketing success. Maybe that's the reason Wal-Mart wants in on the action.  Branded Entertainment News also notes that the big box retailer is paying big money to be the major sponsor of the new ABC reality show "The Scholar."

RAIN, commenting on a Boston Herald article, notes that performers may have SoundExchange royalty checks waiting for them from satellite radio stations, Internet Webcasters and cable-TV music stations.

Wired reports that European record companies are calling on the European Commission to extend the length of copyright protection for performers, which currently is 50 years from the first recording, for another 50 years in order to bring the term in line with United States copyright terms.

Biz Bites 6-6-2005

Yahoo/AP - Apple Embraces Podcasting - Apple CEO Apple Computer Inc. CEO Steve Jobs called podcasting "the hottest thing going in radio" on Monday and promised to make podcasting a whole lot easier.   Jobs, at a technology conference today in San Francisco, Jobs previewed the newest iTunes which  includes a directory of podcasts, allows listeners to easily subscribe to podcast, and allows podcast creators to register their shows with Apple's iTunes Music Store.

Biz Bites - 6-4-05

Yahoo/Reuters - Publisher Sues Warner Music Over Publishing Royalties - Third Story Music, a Los Angeles-based music publishing firm and the successor to the production company that managed singer-songwriter Tom Waites early in his career, has filed a federal suit against Warner Music Group, alleging that Waits has been shortchanged on the sale of digital downloads.  Publisher claims that Waits is entitled to royalties of either 25% or 50% from revenues derived from third-party licenses, which include digital music downloads.  Warner claims that royalty rates on digital downloads are the same as those on the sale of regular albums.  Waner states that this would equate to 9% or 13% of the 67 cents Warner receives for each 99 cent download.

Yahoo/Reuters - Music Labels Open Their Vaults to Remixing DJs - Some of the world's most venerable record labels, including Motown, Atlantic and Verve, are opening up the vaults in the hopes that a new generation of listeners will be attracted to remixed versions of classic tunes.  Interest in these remixes or mashups is widely credited to DJ Dangermouse, who ended up on the defendant side of a lawsuit from EMI when he released "The Grey Album," a mashup of The Beatles' "White Album" and rapper Jay-Z's "Black Album."   

Yahoo/AP - 50 Cent Sues Production Company For Breaching Promise to Make Charitable Donation- Rap star 50 Cent has filed suit against Czar Entertainment Inc.  The suit alleges that 50 Cent agreed to be interviewed about Kelvin Martin, a 1980s criminal who went by the street name 50 Cent.  In return, Czar Entertainment was to make a donation to Martin's family or to 50 Cent's charity, the G-Unity Foundation.  The suit alleges that Czar Entertainment did neither. 

Yahoo/AP - Nine Inch Nails Manager Hit With $3 Million Judgment - A New York jury awarded 9 Inch rocker Trent Renzor $3 million judgment against his former manager, John Malm.  Renzor claimed that Malm defrauded him by having Renzor sign a contract that gave Malm 20% percent of Renzor's gross earnings (as opposed to net earnings) and did not contain a "sunset provision" (a provision which would trigger the ending of commission payments).  Renzor realized there was an issue in 2003 when, after millions in revenue, he only had $400,000.  The lesson for artist; always have a lawyer review management contracts.

Yahoo/AP - Yet Another Music Manager In Trouble - A jury awarded the BoDeans over $200,000 resulting from a lawsuit against longtime former manager, Mark McCraw.